Divan follows the filmmaker's effort to retrieve a turn-of-the-century family heir loom - a couch. The filmmaker journeys from her birthplace, Brooklyn's Hasidic community, to its origins in Hungary and back. The couch - considered holy because certain Hasidic rabbis had slept on it - survived WWII and is in the filmmaker's great grandfather's house in Rohod, a northeast Hungarian town. In the tradition of storytelling, the filmmaker creates a visual parable about the Hasidic community that she left as a teenager. She trails the couch through a quirky landscape populated by Hasidim in Brooklyn, Holocaust survivors and ex-communists in Hungary, and, finally, the next generation of formerly-Hasidic Jews on the margins of their communities in New York and Israel. Synopsis: As a teenager, filmmaker Pearl Gluck left her Orthodox Jewish clan in Brooklyn for secular life in Manhattan. Many years later, Pearl's father has one wish: that she marry and return to the community. Pearl, however, takes a more creative approach to mend the breach. She travels to Hungary to retrieve a turn-of-the-century family heirloom: a couch upon which esteemed rabbis once slept. En route for the ancestral divan, Pearl encounters a colorful cast of characters who provide guidance and inspiration, including a couch exporter, her ex-communist cousin in Budapest, a pair of Hungarian-American matchmakers and a renegade group of formerly ultra-Orthodox Jews. Nimbly clever and intensely illuminating, DIVAN is a visual parable that offers the possibility of personal reinvention and cultural re-upholstery.