The fifth and finale section from the 1969 pilot of Night Gallery, entitled "The Escape Route", starred Richard Kiley, and centered around an escaped Nazi war criminal living in South America and haunted by his past. He begins to visit a museum where he is drawn to a painting of a fisherman on a lake. It's such a peaceful setting, that he becomes obsessed with it and soon begins to see himself as the figure in the boat. He is soon recognized by a survivor of the camps, played by Sam Jaffe. When Israeli agents are about to catch up to him, he flees into the museum, and to the painting, there he begs God to take him into the painting. What he doesn't realize is, the painting has been moved and in it's place is one portraying the brutality of the holocaust. I think with all three stories, Rod was showing us that after all is said and done, there is justice.